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The Brant Foundation
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The Brant Foundation

New Jean-Michel Basquiat home activity! Click here to download. 

Jean-Michel Basquiat’s paintings of boxers are among his most personally and politically charged subjects. In the figure of the Black boxer, Basquiat found an alluring icon of self-made power, a hero for the modern era, an athletic champion who manages to triumph in a world where the odds were firmly stacked against him in the form of deep-seated racial prejudices. This was a heroic figure that Basquiat deeply identified with, as a young man possessed of powerful artistic talent, of Haitian and Puerto Rican heritage, going up against the predominantly white world of the art establishment.

As Basquiat famously declared in a 1983 interview, he defined the subject of his art as “Royalty, heroism and the streets” (quoted in H. Geldzahler, “Art: From the Subways to Soho, Jean-Michel Basquiat,” Interview, January 1983). The human figure quickly emerged as the central theme in Basquiat’s work, which he would use as a vehicle for melding autobiography with references to popular culture and Black history.

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MUSEUM FROM HOME

Take a virtual tour of The Brant Foundation’s 2019 exhibition, Jean-Michel Basquiat!

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In 2019, The Brant Foundation opened its second space in New York City with a major exhibition of works by Jean-Michel Basquiat (1960-1988).  Radical in both his artistic practice and life, Basquiat made the streets of Lower Manhattan his studio, joining the creative outpour that was emerging in the late 1970s and 80s in New York City. Basquiat’s place in the East Village art scene remains absolute and for the first time in decades, this exhibition brought his work back to the same neighborhood that inspired it.

Click here for your virtual experience!

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This Brant Design post focuses on the Donau Desk, a collaborative piece between designers Ettore Sottsass and Marco Zanini, and produced by Franz Leitner. Its sleek wooden body sits upon four vibrant pink metal legs, typical of Sottsass’s Memphis design style. With his background in industrial design and as the founder of the Memphis Group, the Donau Desk is exemplary of Sottsass’s attention to design history as well as the playfulness within his furniture and design objects. Hidden within its lustrous shell, the desk opens like a secretary or drop front desk exposing a series of compartments, shelves, and a writing surface.  Above the desk is Roy Lichtenstein’s iconic 1962 drawing for The Kiss.  

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Art continues to be an important channel for us to reflect on and learn how we can better support past, present, and future voices that need to be heard. We continue to stand in solidarity with our communities and those fighting for social justice and racial equality.

Please visit our website to view a list of helpful resources for talking to children about race and racism.
Image: Jean-Michel Basquiat, Now’s the Time

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Rising 43 feet from its paws to its ears, Jeff Koons’ Puppy is formed from a series of stainless steel armatures constructed to hold over 25 tons of soil watered by an internal irrigation system. Over 70,000 multi-hued flowering plants grow from this steel and soil structure, including marigolds, begonias, impatiens, petunias, and lobelias. First created in 1992 for a temporary exhibition in the German city of Arolson, Puppy—a symbol, according to Koons, of “love, warmth and happiness”—embodies the artist’s sculptural imagination.

For a step by step guide visit our website: https://brantfoundation.org/programs/puppy-watercolor-painting/

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Create your own Puppy contest!

Reimagine Jeff Koons’ Puppy for a chance to win a limited edition Puppy beach towel and $25 gift certificate to The Brant Foundation Shop!

Using the materials of your choice, create your own version of Puppy. Your artwork can take on any form (painting, sculpture, poem, etc.) that expresses your interpretation of this monumental sculpture. Submissions will be judged based on creativity, execution, inventiveness.

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Click here to find out more! June 1st will be the last day to send in submissions.

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